π Chapter IV : Values
Before we start smashing the TON ecosystem with a sledgehammer, I would like to touch on one more topic.
I don't understand a lot of what the TON Foundation does. Why does the official channel of the global WEB3 brand publish "local" scam and plagiarism on its channel?
Scam: How is it that scammers who act impudently, are not afraid of anything, somehow appear in the posts of the official TON Foundation channel? And moreover, they become designers of the grant program.
How come that collections like Mintosaurus get the support of the official representation of TON? Honestly, it's embarrassing to even look at it, according to my feelings. I understand that there are meme collections, but this is something that doesn't make sense at all.
https://t.me/toncoin_rus/399 - in this post, in general, all projects that are or will soon be blacklisted by TON itself.
How does it happen that representatives of those projects that are on the blacklist are TON ambassadors?
How @malev, who scammed so many projects in TON ecosystem, join the very center of the TON and start telling everyone about what is good and what is bad?
Plagiarism: I understand that this is a profitable strategy on how to make money. Take popular NFT products that exist on the world market, copy and sell. But I donβt understand why the official TON channel supports their promotion?
TON Punks as an example: πGenerated images similar to the popular world collection (probably in 10 minutes) πCreated a telegram group π Raised a big amount of funds πBurned half of the collection, not even hiding
But I'm not saying this shouldn't exist. It seems that they have earned and are doing something (although there are questions about how they positioned the community. I donβt know how it is now), letβs see how they develop. Let them spin as much as they can.
What I donβt understand is why does the TON Foundation support and promote such projects on behalf of its official?
And what to do when people who came up with an idea, and they were able to promote it from scratch. Which for some reason found a niche for art and people believed them. What to do when they want to come to TON with their collections?
It so happened that at the very beginning of its journey, everything was "sucked" into a young, beautiful technology. I think time will put everything in its place. But it is necessary to deal with especially ingrained representatives of scam at this stage, and talk about how they got here. The scales should swing in both directions. π
βTo be continued...
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